Before you were creating your line you worked as a color consultant — which natural ingredients produce some of the best colors?
For my products, I combine readily-colored materials or draw color from certain plants and minerals to tint a liquid medium like oil, spirits, or water which then conveys not only the color, but also infuses the medium with other beneficial constituents.
The purplish-red alkanet root, for instance, along with pinky-orange tinted rosehip seed oil tints our lip blush
that rosy hue; the Yarrow Buttercream
gets its “butter” yellow color from Sea Buckthorn oil which is also highly nutritive for skin.
The oils — particularly the raw organic oils I use — contribute natural hues of pinks, greens, ambers, and oranges. The colors of the various clays for our six masks are the result of reactions between metal oxides, organic matter, and geological circumstances.
In essence, color is medicine and I apply it as such.
You create a wide range of products —what is your own daily beauty and skincare routine like?
Very first is oil-pull while dry brushing.
Product-wise, I start and end the day with Cleansing Nectar
followed (usually in the evening only) by Facial Scrub
to further facilitate the process of dead cell removal started by the Nectar.
In the winter, I’ll do the Yarrow Buttercream
on my face at night, but only if my face is unusually dry.
My nightly ritual before nodding off must include the YB on hands and Foot Butter on feet.
On weekends I often do the whole Facial Care Protocol which includes Herbal Steam
and a Clay Mask
. The Black Clay Mask is very good mixed with Cleansing Nectar as a spot treatment and usually clears an average blemish within a day or two.
I do a little Facial Scrub after Black clay to help remove dark traces from pores.
I’ve used only the Tooth Powder and Oral Hygiene Rinse for years now and, I’m proud to say, have zero cavities and healthy strong teeth to show for it (well, that plus good diet).
We love your minimalist graphic design and branding. Can you share more about it?
As a kid I was intrigued by the straightforwardness of generic packaging — you know, “CORN,” “RICE,” “BEER” — just plain black font on white that stated exactly what you were being offered with no embellishments, hooks, or ploys. Colors and characters on packaging were not nearly as interesting to me. So I brought that forthright sensibility to my labeling and replaced traditional visual embellishments with creative verbal descriptions that inform more than entice. I also wanted the packaging to speak to a broader audience over a select few because I created my products for the benefit of all people.
I’ve lived in Denver most of my life. It’s a place I’ve come back to many times over many years from many travels.
It’s where the Rocky Mountains meet the High Plains. You can go east and wind your way through old pioneer towns and farming communities with a strong sense of the land’s former native stewards. West are those majestic Rocky Mountains, usually blue, but sometimes green or white — always present, but feeling a world apart; a place to escape to, higher ground for transcending the mundane. I like the sense between the two. The mountains feel protective, alluring, mysterious, and magical. The eastern plains feel vast, open, and expansive.
Can you share some of your favorite things that are happening in the city?
is pretty amazing for their exhibits, tag team lectures and rooftop libations served up by exceptionally attractive and talented people. Favorite neighborhoods are RiNo, Highlands, Baker, Tennyson, and Five Points.