LOVE WANT Issue Six
Creative couple Bec Parsons and Bartolomeo Celestino founded LOVE WANT in 2005 to keep the magazine dream alive. "It's a reaction to the overwhelming gravity of putting images online," says Celestino. "It would be sad to think someone will never handle a magazine one day. It's a very personal journey when you self-publish, but one that's very satisfying when you see who it touches." The petite publication, which just debuted its sixth issue, also gives the photographers a chance to express themselves beyond the confines of their commercial work, while encouraging the same from their peers such as Pierre Toussaint, Gen Kay, Derek Henderson, Valerie Phillips and Ben Sullivan. As it has evolved, LOVE WANT's focus has strayed from fashion to embrace "beautiful images that convey a sense of place and time," says Parsons. "We decided that issue six would be an intensely personal conversation between its contributors. When we commission someone to shoot for us, the only thing we ask them to achieve is that their images won't date."
"Shooting Staz in Los Angeles was special for me because I was pregnant, and the temperature was extreme, but she has such a special character," says Parsons, whose pictures have appeared in RUSSH, Oyster and Harper's Bazaar Australia. "It was difficult to jump fences to get those shots, but it was worth it. I also love Valerie's pictures of Arivida; the whole concept is wonderful--a photographer photographing another photographer with such freedom that you can't help but be enthralled."
"The cover with Bambi is special," says Celestino. "One because she's wearing Lover, who we greatly admire for their ethics and craft, and then the sense of excitement and happiness that comes through that image. I also think Gen Kay's images of Codie Young are absolutely amazing."
"Raw and direct" is how the Sydney-based pair sum-up LOVE WANT, issue six of which was designed and art directed by Monster Children's Campbell Milligan, and introduces the work of burgeoning Australian photographers Axel Moline and Jack Salkid. "Jack gave us a beautiful story of Rachel Rutt he shot in Japan, that is beyond wonderful," says Celestino. "So many young photographers are more concerned with fame, money or status in social media, whereas Jack is the complete opposite. He creates images you can fall in love with and that's all that concerns him." What else would they advise the next generation of young fashion snappers? "Often, mistakes are the best answers," says Parsons. Adds Celestino: "If you travel a long distance to take a picture, make sure there's film in the camera."—Natalie